Orlando Diaz-Azcuy
I certainly wouldn't call Diaz-Azcuy's look traditional, but there is a luxuriousness to his interiors that appeals to this traditionalist. Some of his interiors are spare, some are edgy. But on the whole, they make me want to step outside of my comfort zone and try a little something new. I think that the rooms that appeal to me most, though, are the richly layered ones. There is one media room that had me swooning. Unfortunately, I can't show the image here, but trust me, it's to die for (think dark green silk walls, gold painted ceiling, and marbleized door frame).
I've long been a fan of Diane's books, so I had high hopes for her newest tome. Fortunately, the book did not disappoint. The author gives the reader great insight into Diaz-Azcuy's design process- both the nuts and bolts and the inspiration too. I love how she described Diaz-Azcuy's work as minimal but with a "touch of va-va-voom". Each chapter focuses on a specific project, including the designer's own homes, and there is also an interesting section titled "Talking Design", a conversation between the author and the designer. And the icing on the cake? Diaz-Azcuy has included a brief list of books that have inspired him. Beautiful images, a story well-written, AND a book list? What more could you ask for?
(Diane Dorrans Saeks is currently at work on her upcoming blog, The Style Saloniste. Look for the official debut in the next few weeks. I'm confident that not only will it be well-written (would you expect anything less?), but supremely stylish as well!)
This tableau seems quite poetic. In fact, it's Diaz-Azcuy's Pacific Heights penthouse. (© David Duncan Livingston, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)
A closet cum media room. Definitely va-va-voom. (© Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)
The lush outdoor terrace of one of Diaz-Azcuy's homes. (© Matthew Millman, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)
Image at top of Orlando Diaz-Azcuy, © Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009.
Polyvore Living Room
Raymond Loewy and His Theory of Evolution
Industrial design is not one of my areas of expertise. But even if you're like me, you've probably heard of the name Raymond Loewy. Loewy was considered to be one of the most prominent industrial designers ever. In fact, I'm sure you've seen many of his designs: the Lucky Strike cigarette logo and package; the Greyhound bus and logo; and numerous refrigerators, ranges, and cars. He was also responsible for the design of numerous retail and commercial interiors, including this bake shop (at top). The man was truly prolific.
Loewy was a major proponent of streamlined design (as is evidenced by the bake shop and his iconic pencil sharpener, seen below, from 1934). So much so, in fact, that in the early 1930s Loewy created a series of evolution charts which showed how everyday objects had become more streamlined through the years. I hate to describe these charts as charming because it's a fluffy word to use in association with industrial design. Still, I did find these charts charming. In this era of everything being supersized, streamlined design is a breath of fresh air.
Loewy's famous pencil sharpener.
The evolution of chairs. Loewy would have been dismayed, I believe, to see those grossly oversized upholstered chairs and sofas that have been popular over the last twenty years.
The evolution of clocks. I still have a weakness for streamlined clocks.
The bathing suit. The big question mark? I suppose that ended up being the thong bikini!
The automobile.
The telephone. Just look at how streamlined our cell phones are.
Women's clothing. Thank goodness for streamlining here. That atrocity of 1980s fashion- the pouf skirt- was simply a hiccup along the way.
Stemware. Nothing beats a sleek champagne flute.
(All images from Depression Modern: The Thirties Style in America.)
Thank you!
I Want Everything In This Room!
I can't stop looking at this photo of antiques dealer Louis Bofferding's (former?) Manhattan living room that was featured in the 1996 book The Table. One reason of course is because the room is just so good looking- clean, uncluttered, airy, masculine, restrained, and immensely chic. What I also like about it is that there isn't a shred of mediocrity in this room. Each piece is magnificent on its own, but when mixed with other important pieces? Decorative Arts Heaven! Would you expect anything less from such an admired dealer?
When you start to dissect the room and study each piece, it's hard not to be impressed by the provenances. A 1950s Jansen table with blue steel legs. Fornasetti faux malachite plates. An iron elephant mounted on a red silk pedestal from Geoffrey Bennison (on table). A Louis XVI armchair with antique Chanel purple silk velvet. And barely visible in the far left hand corner, an iconic "Bird Table" by Meret Oppenheim, c. 1939. Yep, I swooned too. But rather than seeming ostentatious or even "full of it", the room- gold chip furniture and all- comes across as personal and well-thought out. It is truly the room of an erudite man who really knows his stuff!
This Royal Dining Table by Maison Jansen looks similar to that of Bofferding except for the legs which are black steel rather than blue. (Available at Todd Merrill Antiques)
Gold leafed Bird Table by Meret Oppenheim, available at Eccola. The listing on 1st dibs says this specific table is 21st century, so obviously this table is a much later version than that of Bofferding.
Bofferding's table was set with these Fornasetti plates. Also, you can get a better look at the Bennison piece.
A pair of Fornasetti gold and malachite plates, available at Gallery 25.
The pineapple on Bofferding's console appears to be tole. This pair of lamps from John Salibello Antiques have a similar look.
(Images of Bofferding's apartment from The Table, Diane von Furstenberg)
Yay! Its My Birthday...
I will let you all know what I received tomorrow.
Hall of Mirrors
And it's not the one at Versailles. Those clever guys at Downtown- David, Robert, Onik, and Carlos- as well as Elizabeth Dinkel and Kim Alexandriuk created a fabulous entrance hall (see above) at the recent Los Angeles Antiques Show. The array of mirrors included examples of Art Deco, Modernism, and French 20th century. Note too the trompe l'oeil painted walls. Wouldn't this be great to do at home in a hallway, an entry hall, or even on an outdoor terrace?
Downtown's booth included pieces by Arturo Pani, Jay Spectre, Line Vautrine, and Mito Block. David and Robert are always on the cusp of the next hot thing, so it's no wonder that everyone pays attention to what they display.
At Home with William Powell
One of my favorite actors from the old days is William Powell. He could be suave and debonair, had a way with the witty repartee and the ladies, and displayed a wicked sense of humor, all the while being downright likable. I always thought it would have been fun to play Nora to his Nick Charles. And since he was a star during Hollywood's Golden Era, you wouldn't expect his home to have been anything less than glamorous. His Beverly Hills manse, featured in the February 1936 issue of House & Garden, was designed by architect J.F. Dolena and decorated by that decorator to the stars Billy Haines. Whether Powell played an active role in the design of his home is anybody's guess, but I suppose that doesn't really matter as he at least had the good sense to live in a Dolena house. While the interior looks a little dated, I think the architecture of the home- Regency inspired- was divine and completely befitting a Hollywood star of Powell's caliber.
Powell's terrace with intricate wrought iron detail.
The courtyard with a bay window that was really a two-way bar. How great is that? I also love those metal patio chairs.
The pool house. Fabulous metal canopy above the door.
The recreation room decorated by Haines. The walls were knotty pine, the curtains were blue cashmere, and the fabric on the furniture ranged from blue and white plaid to blue, green, red, and white striped. Hmmm. What I do like, though, is the fireplace to the right with blue and white delft tiles.
(All images from House & Garden, Feb. 1936)
Newbie and my Lamp...
This is it before. A bit bland, but has potential...(this photo was taken during the office change, so excuse the mess)
...it really showed the features up well. At this stage you can work some more paint into it if you want it a little darker, or maybe add a high light colour like silver or black....
I love how it looks like an old Architectural column...
Garden Style ... creeping fig ...
Another ,element in garden design ... if you are inspired,by this green scape ... do write in to me ... I'd love to hear your story ...
Blog Archive
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2009
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April
(43)
- Orlando Diaz-Azcuy
- Polyvore Living Room
- Raymond Loewy and His Theory of Evolution
- Thank you!
- I Want Everything In This Room!
- Yay! Its My Birthday...
- Hall of Mirrors
- At Home with William Powell
- Newbie and my Lamp...
- Garden Style ... creeping fig ...
- A lack of...
- Don't Spare Me The Symmetry
- Provence in New Zealand
- Picnic on My Balcony
- What do I want...?
- Evangeline Bruce Went Out On A Limb
- For your next photo shoot
- Office Before & Currently....
- Sleep in...please!
- Summer Office Inspiration...
- My Tag in Home Beautiful!!!
- Number 8...
- Bunny's Making a Beeline for Atlanta
- French Vanilla
- New at M&L!!!
- Someone Else Who Is Rethinking Chintz
- Hope the bunny is nice...
- Curb Appeal (inside) Part 2...
- Of peaches and creams ...
- And Yet Another Mr. Hadley Opportunity
- In a Chinoiserie State of Mind
- Verde Home Earthday Sale
- A Decision...
- Nymphenburg to the Rescue
- Road Trip to...Store & Co
- For the love of blue and whiteware ...
- Separated at Birth?
- Text and the Cushion...
- Curb Appeal
- Luther Quintana Studio
- Your thoughts please...
- Crystal Rock of Ages
- French Blue
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April
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